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马努（阿尤斯曼·库拉纳 Ayushmann Khurrana 饰）经营着一家健身房，他人生最大的梦想就是能够赢得健美比赛的冠军，以此来为自己的健身房增加人气。这一天，马努的健身房迎来了一位名叫马恩亚（瓦妮·卡普尔 Vaani Kapoor 饰）的舞蹈教练，马恩亚拥有健美的身材和俊秀的脸庞，她的到来一下子就吸引了马努的注意，让这个小伙子坠入了情网之中。。讲述一个苦苦挣扎的普通人被推进有毒的废物桶后，变成了一个变异的怪物，他必须从被排斥者变成不受欢迎的英雄，进而从腐败和贪婪的力量中拯救他的儿子、朋友和团体。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。