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This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。《中华》第二部《刻骨铭心》接续表现中华文明起源的第一部《龙的传人》,聚焦表现中华文明的形成。《刻骨铭心》以时间为脉络,以中国文字的起源和发展为形象线索,以历史人物的命运为载体,描画了一段波澜壮阔的历史——从夏商周礼乐青铜、弦歌不辍,到春秋战国百家争鸣、思想激荡,再到秦横扫六国、华夏大地“四海一家”,刻画中华文明的独特性格和精神标识,揭示古老的中华文明对当代中国发展的精神滋养和助推力量。。
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