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干了一辈子矿工的“老井王”倪大红在矿场员工中备受尊重，就在其“告老还乡”之日却被煤老板要求最后一次下井爆破一个未被开发的矿井。陈晓东、李彧作为倪大红一手带出来的徒弟跟随师父再一次走进了矿井，然而就在倪大红这人生最后一次爆破中发生了事故，几位矿工遭遇了“灭顶之灾”。灾难发生后，矿井外的家属却是各怀心事，倪大红的老伴满脸憔悴，陈晓东的妹妹李菲儿更是千里迢迢赶来一起加入了营救的队伍，然而惟独李彧的老婆却在此时拿出了多份之前为李彧购买的保险……井下的倪大红却带领着陈晓东、李彧等人，凭借自己多年的经验寻找生路，生理上的饥饿与疲惫，精神上的恐惧与绝望，无时无刻不在折磨着他们，此时的他们只有与时间赛跑，与死亡抗争。。This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。