走基层
视频简介
Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。城市突然出现火怪,普通职员大石头因此而失业,沮丧的他只好每天跟好朋友一起送快递,有一天竟然意外用朋友发明的饮料消灭了火怪,为了拯救家人和城市,他们化身饮料超人,成了对付火怪的超级英雄。。白天,他是被人称作“伊面菩萨”,笑容可掬,脾气温良的警察;夜晚,他则化身成为罪犯们闻风丧胆的制裁者。他是神奈川县警署搜查一课的警察伊达一义(堺雅人 饰)。双重的身份让他成为了谜一样的人物。而白天里那个任下属欺负的老好人伊达,却引起了和他合作的鉴识科的鉴识员久远健志(锦户亮 饰)的注意。久远发觉出了伊达不同于他人的气息。在一系列事件中,这种感觉愈发加深。 而这些各种各样案件的背后究竟又隐藏着怎样的真相和故事?凶手能否被绳之以法?双面警察伊达和鉴识员久远,以及被分派到搜查一课的刑警宫城明日香(杏 饰)带领大家走入犯罪现场,一起揭晓这背后的故事。。
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