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Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。女主因男友死于意外，内心深受打击，5年未开口说话，暴饮暴食，变成了一个大胖子。父母通过医生催眠技术，让其进入“美梦成真”系统，进行治愈。系统里的大背景是“胖子国”与“瘦子国”，巴月国以胖为尊，纤月国以瘦为美。女孩在里面遇见了不同类型的美男，重塑自我，重新开始，重新减肥，重新感受爱。最终明白了，爱情不是大过天，永远在背后默默关爱自己的是家人。。